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Calligraphie --- Lettrage --- Alphabet --- Calligraphy
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Inspiration typo quotidienne. Le typodarium, le premier calendrier détachable avec 365 polices différentes. Sur la face avant la date classique-fonctionnelle, sur le fond d'écran et les détails, concepteur et source d'approvisionnement. Le calendrier typographique a été conçu en collaboration avec le designer berlinois Raban Ruddigkeit et est la première publication de Magma pour la célèbre maison d'édition Mayence Hermann Schmidt. Contributeurs Fontdesigners et les étiquettes de ce calendrier sont 2Rebels, éviter Red Arrows, bp fonderie, Type de Caket, Canada Type, Cap Arcona, Christian Schwartz, Coma AG, Cubanica, Type ds, Dutch Design, Dutchfonts, EPSPS51, Fontbureau, Fontfarm, Fontfont, Fontaine , Hubert Jocham, Hula + Hula, Kenn Munk, Lazydogs, Populaire, Lion & Bee, Marque de Magma / VolcanoType, Mark Simonson, Martina Hartmann, p22, Parachute, Peter Brugger, Scoutisme, Primetype, Smeltery, Sparkytype, Subtitude, Sous-communication, Typecuts, Type Off, Type Together, Typetype, Typonauts, Typothèque, Underware, Urw ++, Verena Gerlach, Xplicit, Yanone.
Almanach --- Typographie --- Alphabet
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Calligraphie --- Ecriture --- Alphabet --- Writing, Arabic --- Calligraphy, Arabic
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Writing --- Alphabet --- History --- Social aspects --- History. --- Social aspects. --- Writing - History --- Alphabet - History --- Writing - Social aspects
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Oded Ezer presents the outstanding work of visionary typographer, graphic designer and artist Oded Ezer for the first time. He explores the anatomy of letters through his almost scientific approach to type design and creates Hebrew and Latin characters and alphabets that integrate elements atypical for font design. This book documents his type art and typographic experiments as well as his refined graphic designs, logos and unique font designs. This publication showcases his remarkable creative output and offers a rare insight into Ezer's design process. (quatrième de couverture)
Alphabet --- Art graphique --- Lettrisme --- Mise en page --- Typographie --- Ezer, Oded
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Church Slavic language --- Church Slavic language --- Church Slavic language --- Church Slavic language --- Manuscripts, Church Slavic --- Manuscripts, Church Slavic. --- Manuscrits slavons --- Alphabet. --- Alphabet. --- Serbian recension --- Texts. --- Serbian recension. --- Sava,
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Der Band vereint Beiträge zu neueren Entwicklungen in der Schrifttheorie, vor allem aus linguistischer, philosophischer, medientheoretischer und sprachdidaktischer Perspektive. Dabei geht es zum einen um die Frage, mit welchen Methoden und Kategorien Schrift und Schreiben analysiert werden können und worin sich die geschriebene Sprache medial von der gesprochenen unterscheidet. Zum anderen werden Einflüsse des Mediums Alphabetschrift auf die historische Entwicklung dieser Disziplinen nachgezeichnet und verschiedene Schrifttypen im Verhältnis zueinander beschrieben. Ausgangspunkt für die Beiträge waren die schrifttheoretischen Arbeiten Christian Stetters, insbesondere seine Thesen, dass die Alphabetschrift nicht als eine Art Lautschrift zu begreifen sei, und dass die spezifischen Eigenschaften dieses Schrifttyps zur Genese formaler Sprachbetrachtung in Sprachwissenschaft und Philosophie entscheidend beigetragen haben. In den Beiträgen des Bandes werden Schwierigkeiten der Orthographie-Reform ebenso reflektiert wie didaktische Kontroversen zum Schriftspracherwerb, die Pragmatik des Schreibens ebenso wie die Ästhetik unterschiedlicher Schriftarten. The volume brings together papers on new developments in the theory of writing systems, above all from the perspectives of linguistics, philosophy, media theory and language education. Firstly there is the question of the methods and categories used for analysing writing, and how written language as a medium is different from spoken language. Secondly, the influences of alphabetic scripts on the historical development of these disciplines are traced, and various types of writing system are described in relation to each other. The starting point for the contributors was Christian Stetter's work on the theory of written language, especially his theses that alphabetic script is not to be seen as a kind of phonetic script and that the specific characteristics of this writing system have had a decisive influence on the genesis of formal language reflection in linguistics and philosophy. The papers in the volume reflect on the difficulties of spelling reform and on didactic controversies around the acquisition of written language, on the pragmatics of writing and on the aesthetics of various types of script.
Philosophy of language --- Writing --- Language and languages --Philosophy. --- Written communication. --- Language and languages --- Written communication --- Languages & Literatures --- Philology & Linguistics --- Philosophy --- 801.7 --- Taalkundige semiotiek --- 801.7 Taalkundige semiotiek --- Written discourse --- Written language --- Communication --- Discourse analysis --- Visual communication --- Alphabet --- Linguistics --- Philosophy. --- History. --- Chirography --- Handwriting --- Ciphers --- Penmanship --- Hieroglyphics --- Letters of the alphabet --- Latin alphabet --- Roman alphabet --- Transliteration --- History of Writing. --- Media Theory. --- Orthography. --- Écriture --- Philosophie --- Histoire
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Cet ouvrage est un outil pratique et didactique qui relie les principes typographqiues à l'informatique. Il propose les données essentielles, nécessaires à la production éditoriale.
Graphics industry --- graphic design --- typografie --- boekdrukkunst --- Alphabet --- Art graphique --- Caractère --- Mise en page --- Typographie
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Nothing but Letter, ou la représentation des signes alphabétiques occidentaux. Ceux des writers ou spraycan graffiti artistes. Cet ouvrage étudie les lettres dans leurs formes graphiques, décortique cet art de dessiner ou peindre son nom dans la rue, sur un train, sur papier ou ordinateur. Le cœur du livre, est consacrée à la « typograffiti », sorte de répertoire de lettres. Plus de 800 lettres sont proposées, tout l’alphabet est revisité. Cette typograffiti est un véritable répertoire permettant de développer, déformer, grossir, diminuer, s’approprier ces signes. Nothing but Letters : une vision moderne du spraycan art graffiti.
Graffiti --- Alphabet --- Art urbain --- Intervention artistique --- Ecriture --- Art urbain de façade
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